So two years ago I got a vague and unhelpful criticism about my devious plan to "steal from the poor hard-working class" by offering my 10 years of sewing expertise to make custom costumes. Apparently me pricing myself out of some people's budgets counts as theft. Who knew?
I laid out the ins and outs of running a self-employed commission business. At that time, taking commissions was my only income before moving on to other more stable sewing jobs. And I get it. I'm not in everyone's budget, and there's always someone willing to do more for less, but that does not obligate me to lower my value to be the accessible seamstress.
After my explanation to the Anonymous Voice From Nobody (A Fairly Odd Parents reference, for y'all), I got a much lengthier reply back- a whole novel, really! Full of all kinds of accusations of me "not being a real seamstress" or "not knowing what I was talking about", the more I look back at it the funnier it gets!
So let’s all have a good laugh together at why you should value YOUR time, skill, and experience based on your own standards, and not the advice of internet strangers who have zero idea what they are talking about. Be forewarned, this is a WHOLE journey, so you might wanna set aside some time to fully grasp the insanity of it all! Also, I apologize for their typos. I didn't really feel like correcting them on two different levels.
Also, if you enjoy my hot takes here, you'll really enjoy them on Twitter, so be sure to follow for more fun times in educating the world about why artists' skills are valuable <3
Anonymous Voice From Nobody: I’m sorry honey, but I sew, and even I know your not only over charging, but your full of shit. You say you have to spend a lot of money on fabric….what was it? $12 a yard, even if that was the case! Your buying 3 yards total for that shit! 5 at max for it to include the leotard! And even then all us who sew know you can get that shit for around $5 a yard on eBay. So that’s $15-$25 right there.
And that’s not counting the fact that your only using at most, ¼th of the yard for the skirt and cape!
Okay, here we goooo. First of all, the collar, or what you call cape, takes ½ a yard. MAYBE you could squeeze it onto ⅓ a yard. But there’s no way a quarter yard would ever work for any skirt that doesn’t show your booty cheeks. That’s NINE INCHES, or less than 23 cm for my metrics friends. (I'm jealous of you metrics people, by the way. Metrics system would be so much easier.)
The back of my OWN skirts that I wear generally run 12” long and are DANGEROUSLY SHORT as it is, so I usually add 2” more for commissions! And my good friend who is not much bigger than me but is blessed with a booty? She required 16”. That’s what it took at MINIMUM to cover her toosh, and she could still not bend over for fear of indecency. 9” would be underwear for her!
You’re way off base here in your math, my friend. My Sailor Moon skirts are at minimum 55” in total diameter. That’s well over a whole yard (a yard and a half is 54"). Hahaha, "¼th a yard for the skirt" my ass- literally! You could always download my pattern here and see for yourself, that there's no way you'll be making anything out of 9" of fabric unless it's just the front bow. XD
You want $15 and hour? Then spend an actual hour nonstop to make the shit
at ‘most’ it would take you 2-3 hours to make what your selling nonstop. Atleast, if your any good. It would take 5-6 hours if you weren’t
Oh sweet summer child... I charge much more an hour now, considering I work for more than that professionally. Hurray for fulltime opportunities! At this point I have worked in apparel manufacturing making custom apparel for companies like Facebook, Google, Nike, the American Suicide Prevention, and more. I’ve also been in a seamstress in theater costuming, and now work in a design house creating gowns that are worth hundreds of dollars.
Here they can finish some dresses in around two days- admittedly much faster than it takes me to finish my custom costumes, because SURPRISE, they have all the equipment, space, and teams necessary to work at breakneck speed, versus me cutting stuff out on my kitchen table. But it still takes time to make a perfect gown. We don't skimp on quality here.
Also, for me working from home, just cutting the fabric takes 2-3 hours. I don't have a design room. I don't have an entire sewing team. When I was doing commissions, I lived in a one bedroom apartment. I could never eat at my kitchen table and work on commissions at the same time because I had to use my table to cut fabric out and work at. Not highly efficient, I'm aware, but you either pay for that extra time or my extra rent to buy more apartment space. ;P
Those ‘two weeks’ you bitch about? Is the two weeks your waiting for that shit from eBay to come in. Which fwi, is free shipping.
I prefer not to but "shit from eBay", but okurrrrr. I buy directly from suppliers who can offer me swatches and swatch cards, and guarantees on their quality. I try to avoid sketchy pop-up shops that’ll disappear as soon as I order 5 yards of a fabric that'll fall apart at the seams- literally.
Where are you getting free shipping for fabric? Seriously, drop your sources, don’t leave us hanging like that! WE NEED TO KNOW, IT'S IMPORTANT, HELP A SISTER OUT!! Spandex House, which has one of my favorite qualities in spandex, runs $20 for shipping TWO YARDS OF FABRIC, at minimum. Spandex World is cheaper, but still a heavy tag of $13 for shipping. Frankly, shipping fabric comes at ridiculous costs, so again, I BEG of you, please divulge your secrets. <3
You spend at most $70 to make that shit.
In materials, maybe. Not time. Not skill. Not my degree. Not work experience. Not "shit". I don't make "shit", I make custom, quality, hand-made costumes. I'm not a factory, love. ;3
Most people who have a machine, have either go it as a gift, or inherited it. If you went and bought one? It’s $100. As for fixing it? It’s not only cheaper to buy a new one, but sewing machines are damn study, and you shouldn’t need to buy a new one! I’ve never had to fix it.
I’ve cleaned it, Ive oiled it, I’ve even had to tighten the lightbulb because it loosened from the vibrations. But I never had to actually take it to a repair shop.
Wow! Where do I even start with this part? How quaint that you've been able to inherit your machines! I only have one relative that sews, and she still uses her Singer. Regardless, it is SO OLD that it is incapable of doing a back stitch or anything besides a forward-moving straight stitch. I'll stick with my Bernina, thanks.
I have worked for and earned ALL of my machines, except for my serger which was a gift off of my Amazon wishlist from my father. How thoughtful of him! My Bernina Red that I won in a craftsmanship contest runs near $1000. Which again, I earned, it wasn't just gifted to me for free.
I’ve had a $100 sewing machine before, that's where I started- a Brother Project Runway. I love the show, but not the machine! It cost me $250 in repairs in HIGH SCHOOL, when I wasn’t even seriously sewing yet (like, didn't even know how to install a zipper level of sewing). It is my least favorite machine I've ever had the displeasure of working on.
You get what you pay for- what a familiar theme! Cheap machines mean cheap parts, and less power, which means likely to break, more frustration, more likely to botch a sewing job, and lots of eventual mechanical repairs. Also who just buys a new machine every time theirs breaks? Way to promote mindless consumerism. Just buy quality machines to begin with if you're gonna buy a new machine every time yours totals itself in repairs!
I later upgraded my Brother machine to a used Necchi, which was so obscure a model and brand that it was near impossible to find parts for, making repairing, replacing, or adding new gear highly expensive. It did well until the timing got off, which required professional help. I’m good with machines but I’m not THAT good. Congratulations on passing Intro to Machine Care, though. That's the bare minimum maintenance you should be doing as a machine owner, though, not really "repairs".
My mothers, is over 40 years old, I had to fix twice. (Mostly because she never oiled it) My grandmothers? Is even older then that and it still works. (Though the lightbulb is dead but that’s an easy fix). Wanna know why? Cause if you take care of it, it won’t break! It’s like a car, you have to maintain it, clean it and oil it to keep it running like new!
Of course I oil and clean my machine, you silly walnut. That's like washing your ass, not comparable to intensive repairs. It's what you SHOULD be doing. Meanwhile, I’ve set up and installed entire disassembled industrial machines and 6-thread coverstitch machines by myself without any provided training, manual, or instructions. You need not lecture me about machine care. ;3
That still doesn't mean I didn't need a mechanic's help when timing would get off, or the reverse stitch button would mysteriously get stuck, or motors needed replacing. I may be a highly knowledgeable seamstress that's clever with the YouTube and Google to perform some minor troubleshooting, but my expertise are not in all things mechanic.
You should never include the price of your machine into your commissions! Only time you do that? Is when you have to buy a new surger or embroidery machine, and you don’t charge the full price of it to your commissions!
You absolutely can and SHOULD include the cost of your machine in your overhead. If you don't budget for overhead, you're one botched commission, missed week of work, or broken down machine away from financial failure. No successful business would ever fail to take into account their overhead and asset depreciation costs.
Obviously I don't just straight up charge one person a few hundred for a brand new machine, but the cost of my equipment and their ongoing depreciation costs do get taken into account in my operational costs, so that I can value my work in a way that I don't end up with a negative ledger. Take a basic accounting class, my friend, and you'll see and learn for yourself. ;D